A digital portfolio of light-painting photography created since 2017
Since starting the Sublument project in 2017 I have continuously developed this specific visual approach. The technique relies on deliberate control of artificial light sources during short and long camera exposures, creating distinct geometric interactions with the surrounding environment.
This archive is organized chronologically. Each gallery demonstrates a progression in technical execution and spatial awareness, transitioning from early experimentations to more complex multi-layered lighting constructions.
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Double tubes, massive structures and overlapping gradients in the frame.
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Valuable new collaborations and consistent low-light photography using ultra-fast primes.
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Extreme wide-angle distortions and capturing breakdancers through long exposure.
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Further exploration of wide-aperture primes and new background perspective tools.
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Introducing two new prime lenses for lower ISO noise and compressed background perspectives.
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Eric Paré tubes, new locations and textured shapes.
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Increased production, refined background balance and new locations in Salento.
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Early experimentation with self-made light tubes and holographic filters in Salento.
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A dedicated light-painting collaboration focused on long-exposure portraiture.